The decolonial theme of this collection refers to a critical approach that seeks to question and dismantle the power structures in the field of textile practices used by colonialist countries and their imposition on occupied lands. The decolonial textile perspective promotes the recovery and appreciation of cultural experiences, knowledge and ways of life that have been marginalised by colonisation. By addressing the issue of decolonisation in textiles, we can better understand the intersection between history, culture and social justice.

Adopting these concepts of decoloniality , the work "Intervened Nature I" seeks to revalue local natural materials of Fuerteventura such as palm bark, which is currently discarded as rubbish. The “Phoenix canariensis”, or Canary Island palm, is an endemic species that has adapted to the inhospitable territory of Fuerteventura.

By using this natural material to create objects and accessories, I aim to establish a dialogue with the first inhabitants of this island: the Guanches.

This work is entitled Intervened Nature I and was selected to participate in the 8th HiLAKU VOICES Textile Art Encounter, held in Zaragoza -Spain.

Materials: wool yarn, scouring pad, silk thread, palm bark
Technique: tree bark intervened with paint, two-needle knitting, sewing, embroidery with silk threads, painting.
Year: 2024
The dimensions are: 67 cm x 54 cm